Hannah Presswell

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The components perform as devices.

Multidisciplinary ingredients compile to create their own visual and verbal language that emphasises the slipping gap between each facet. A definitive lack of subject, content and context oscillates the constructed assemblages of objects, props and language between several points of our known reference. An uncertainty of where the subject matter begins and the content starts accentuates the support as a lynch pin between elements.

Each sculpture is forever pending; waiting for the elements to be shuffled, tinkered and reconstructed to undertake a further nomadic form. The rarely fixed groupings of materials highlight the ease of movement and temporal state of the in-between. The fragments and tilts between works become essential in their incompleteness; activating one another. The sculptures evolve and morph as a means of discovery but never reach their final destination.